But before you do, listen to the following from The Unashamed Accompianist by the piano accompanist Gerald Moore, perhaps the greatest of them all, and itwill help you in your exploration and enjoyment of the music to be heard in this section.Īrnaltes, Edelmiro (contemporary) Aide, William (b 1938) Baldwin, Dalton (b 1931) Bavaj, Lorenzo (contemporary) Beltrami, Antonio Cerné, Charles (early 20th century) Deutsch, Helmut (b 1945) Drake, Julius (contemporary) Favoretto, Giorgio Gage, Irwin (b 1939) Giesen, Hubert Hokanson, Leonard (1931-2003) Hudez, Karl Ilja, Ivari (contemporary) Isepp, Martin Janopoulo, Tasso (1897-1970) Jansen, Rudolf (b 1940) Johnson, Graham (b 1950) Katz, Martin (b 1945) Klust, Hertha Lavilla Muñarriz, Félix (b 1928) Maximov, Leonid (contemporary) Moore, Gerald (1899-1987) Newton, Ivor (1892-1981) Parker, Glenn (1955-2006) Parsons, Geoffrey (1929-1995) Ranta, Ilmo (b 1956) Raucheisen, Michael (1889-1984) Renzikowski, Bernhard (contemporary) Rupp, Franz (1901-1992) Sanders, Samuel (1937-1999) Solyom, Janos (contemporary) Ulanowsky, Paul (1908-1968) Vignoles,Roger (contemporary) Weissenborn, Gerhard Wustman, John (contemporary) The list below consists of some of the great piano accompanists of the 20th Century whose contribution to the art song in particular, and music for accompanied instrumental soloists of all kinds, deserves recognition.Ĭlick on a live link to enjoy their art in this unique domain of pianism. I must confess, however, that I have another motivation for creating this page, and that is my passion for the Art Song. If all that is achieved here is that someone emerges more interested in and appreciative of the wonder of the writing for piano by the great composers of art songs, I will have earned my wings. I will also be using examples of some performances in which only the soloist is identified (alas the accompanist under appreciated again!) because although we do not know the accompanist, we can still hear the piano part. I will therefore be adding to this as I find them.
I dare say you will be astonished by the difference in the accompanist's approach to the same song as a result of the style and the interpretation of the singer.Īs you can imagine based on the general lack of recognition of the following names, the probable only exceptions being that of Gerald Moore, and perhaps Samuel Sanders and Irwin Gage, it is difficult to find examples of their work. In several cases we will have the opportunity to compare the work of the piano accompanist in recordings by different singers. Accompanying is a high art and takes a superb pianist, a sensitive and subtle musician, who is capable of creating the artistic context in which a soloist can weave his own magic, a context that is in complete accord with the soloist's conception. This very idea lies at the base of the lack of respect referred to in my opening sentence. It is easy to subscribe to the idea of a pianist turning to accompanying due to lack of success. The accompanist must, in addition to making meaningful music of the piano part, know the musical mind of the soloist.Īs Gerald Moore, unquestionably the most sought after accompanist by the reigning soloists of his time, put it in his inimitable way: "The accompanist who 'follows' but does not anticipate is a dull, pedestrian sort of fellow, without electricity, a fallen arch in the march of time." It is a special type of performing, one that depends on a pianist's ability to think as two people at once. This intense and beautiful little novel, written in 1936, was first published in America almost fifty years after it was written now available in paperback, it is a wonderfully compelling and crucial addition to Nina Berberova’s magnificent oeuvre.The piano accompanist is so often undervalued, most certainly underpaid, and often treated with disdain by the very soloist whose performance can be made or broken by the quality and sympathy of the accompanist. But as she awaits her chance, the diva’s husband takes matters into his own hands, bringing events to a surprising resolution. Her voice brings with it “something immortal and indisputable, something which gives reality to the human being’s dream of having wings.” Doomed to live in her mentor’s shadow, the young girl secretly schemes to expose the singer’s infidelities. Maria is everything Sonechka is not, glamorous, flamboyant. Sonechka is a talented but shy young pianist hired by a beautiful soprano, Maria Nikolaevna, and her devoted, bourgeois husband. Elle The Accompanist byĪ spellbinding, short novel set in post-revolutionary Russia, The Accompanist portrays with extraordinary sensitivity the entangled relationships of three characters.
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